As a scene photographer, wide-angle and ultra wide lenses simply cannot be ignored.
The most common error made when using wide-angle lenses is merely using them solely for their wide-angle, by just trying to get everything into the shot. The resulting picture often simply has too much in it, and the discipline is just lost in amongst everything else. Really, you should consider a wide-angle lens not as a way to get more into the picture, but as a way of emphasising foreground send and perspective.
In use, in a landscape situation, select your viewpoint carefully, as well as your foreground detail, and if possible, ensure that foreground part relates directly to the landscape and has a degree of shape harmony with the picture. If, for example, you choose a rock near the side of a lake on a calm day with effects, ensure the rock is positioned to fit into the shape of the reflections. The benefit of working closely to your foreground subject is that repositioning the camera by barely a few inches can make huge changes to the composition and visual balance of your photos. Roads, paths, walls, in fact, all lead-lines become sturdy and dramatic, but make sure they are supporting the main subject of your photo rather than simply becoming the subject in themselves.
Photos By John Gravett.
While front-to-back acumen of field is useful in wide angle landscapes, it's important to remember that as an ultra wide-angle lens has an inherently greater depth of manipulate than standard lenses, really small apertures might not always be necessary. Often f/11 or f/16 will give front to reject sharpness without having to revert to f/22, where many ultra wides may suffer slightly from diffraction.
The same extensive wisdom of field can often affect choice of graduated filters to use. With longer focal length lenses, hard-edged grads work but when hardened with an ultrawide lens, they often show a distinct line where they are used, so usually, a soft-edged grad is a less ill choice, particularly for the stronger ones.
Wide-angles are so often prone to over-use, but used properly and with care, can produce truly amazing, substantial pictures.
Article by John Gravett of Lakeland Photographic Holidays – www.lakelandphotohols.com
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