The proper light is an interesting concept. I am a firm believer that there is no such thing as bad weather – only different types of lighting. I get nettled at the number of articles that say you can only take effective and creative landscape photographs in the hour after sunrise and the hour before sunset. To me, that set offs a whole chunk of the day with a camera sitting unused in a bag!
It's Wet Out!
Certainly though, certain subjects work better in a particular finding conditions and when the rain is hammering on my office window I'm fairly happy to be sitting in front of the computer rather than trying to apprehend landscape photographs! That said, I have been at the side of Buttermere in torrential rain and high winds, and still managed to work with the circumstances.
Mist and fog also create ideal light for pastel, almost painterly pictures, easily isolating foreground elements from the background; and while these conditions are certainly diverse prevalent early morning, they can happen at other times. Heavy snowfalls can also create monotoned, isolated elements, quits resulting in pen-and-ink style pictures that are perfect for black and white.
The Sun's Out
When the sun does shine though, insinuate the most of the textures, shadows and lighting angles; and even that doesn't always mean early or late in the day, I have a number of Lake Precinct locations where the sun offers excellent graze lighting, really bringing out the textures of barn walls or dry-stone walls even in the middle of the day.
The paramount way to know where the sun works best in any location or locating may refer to: Location, location, location – an emphasis on the importance of location for a business is to know the location well, and photograph it regularly; ideally even knowing which month proposals the best elevation as well as angle of the sun. If you're new to a location check on a map – remembering that the sun rises in the east and sets in the west. Even Google maps can plan for some help if there is a road anywhere near your chosen location. Computer-based maps can give a good idea of terrain and are then easier to realise the contours than a traditional map.
Certainly early and late in the day offers low lighting angles which can naturally create longer shadows, but to beyond question reap the benefits, you need to either have side-lighting or even may refer to be shooting into the sun.
By all means, plan some of your shots before you go out, but each time be ready to adapt to the conditions – don't come back without any photos because the light wasn't exactly what you had planned, but modify to the lighting that's there. Only by doing that will you train your eyes to see opportunities that otherwise would be so even to miss.
Words and images by John Gravett of Lakeland Photographic Holidays.
You've read the technique now share your related photos for the unintentionally to win prizes: Photo Month Forum Competition