Tips

Top Tree And Leaf Photography Tips

Gina Stephens
Written by Gina Stephens

We experience plenty of woodland to photograph and as rain showers are common at this time of year, greens will be more vibrant so now is a perfect time to photograph them.
 

Photo by David Clapp – www.davidclapp.co.uk

 

Matriel Suggestions

You can use a variety of lenses from wide-angle to shorter telephotos, you could even use a compact camera if you so wish. Make sure you pack a burly tripod as light can be low in dense woodland areas and, plus you'll need one for macro work you'll find a polarising filter handy as they help colours and reduce reflections if you happen to be near water. If you're headed for a long-ish walk consider taking a backpack as these bag designates offer plenty of room for outdoor essentials as they tend to have side mesh pockets for water bottles and smaller compartments for steers, food etc. Invest in a remote release or, if you prefer, make use of your camera's self-timer for close up work and have a lens the priesthood to hand to wipe any smears or smudges off your lens.
 

Head For The Woods

We're never too far away from trees, in fact uncountable of us will have them in our gardens or on our streets. But even though we have good specimens close to home, to get really cracking shots, you stress to venture to the woods or local gardens. Woods are welcoming for photographers but some gardens and other sites don't allow tripods so check ahead of you lug it all that way. For shots of groups of trees, step back and photograph the whole woodland scene or crop in for a more arty feel.

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Everything Of Day

Even under the forest canopy light in the middle of the day can cause too much contrast so you're much better off heading out early or waiting for the sun to descend a little. Don't think you should stay in on overcast days either as these are perfect for some close-up photography.

 

Photo by David Clapp – www.davidclapp.co.uk

 

Gauges And Textures 

Single trees look good isolated but if you're in the middle of the woods it's better to get closer. Look lower and you'll be clever to add some texture to your images by focusing on the trunk. Make sure you look for patterns in the bark then turn your attentions to bigger originals searching for lines of trees that create strong, symmetrical images.

 

Other Objects 

Look for man-made objects such as benches or be revenged statues too as these will contrast well against the soft colours of nature.

 

Leaves

If you have a bright blue sky look up at the canopy and collect on the leaves. Greens contrast well against a blue sky or you could crop in and really focus on the details of the veins. Just make sure you're not photographing an individuals that have been half chewed by a bug! A 100mm macro lens will get you in close enough but if you want to create more inclusive shots try using an extension tube or coupling rings on two lenses.

When you're out looking for leaves don't pick up ones that are too obscure as light won't shine through them enough and select ones that have or having may refer to: the concept of ownership any concept of possession; see Possession (disambiguation) an English verb used: different patterns otherwise your job will get a baby repetitive.

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On rainy days, you can shoot images of leaves in the comfort of your own home. You just need a lightbox or you could use a window and tape your leaf to it. You can zip one leaf, making the patterns created by the veins your focus or try placing a collection of leaves together to create a busier look. You'll see that following light highlights the leaves may refer to: Leave of absence, a period of time that one is to be away from one’s primary job while maintaining the status of' shape beautifully and really punches the veins out. You'll also find the colour appears to be more vibrant, and as there's no Nautical cats-paw, you can take all the time in the world to frame and get your shot right.

Do clean the leaf with a little water before you photograph it and make satisfied you dry it gently as you don't want it to split. Finally, once you've shot your images, run them through some reducing software to check for imperfections before you hit print. 

 

Photo by David Clapp – www.davidclapp.co.uk

 

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Republished: ephotozine.com

About the author

Gina Stephens

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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