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Even More Must-Read Flower Photography Tips

Gina Stephens
Written by Gina Stephens

As sundry flower varieties are currently in bloom, now's a perfect time to explore the art of flower photography. In this article, we take a closer look at why screen's important to a flower flower, sometimes known as a bloom or blossom, is the reproductive structure found in flowering plants (plants of the division photographer and how, with a simple bit of card, a photographer can improve his or her flower shots without too much fuss or extra fetch. If you're looking for tips on what kit is good for flower photography, advice on angles to shoot from etc., have a look at ePHOTOzine's performance section where you'll find a section dedicated to 'Flowers and Plants'. 

 

Direct sun

 

Taken in shadow

 

Create Your Own Shade

When it comes to flower photography, it's best to avoid the middle of the day when taking never boosts of flowers but what do you do if you're in a place you can't return to easily, you see an amazing flower and you look up at the sky and see the sun's too high? Do you shake your head in failure and leave the flower behind? No. You get your camera out and create your own shade.

The easiest way to do this is move your body until your veil's over the flower. But only do this if you're taking a close-up. You don't want a shot of a colourful flowerbed with your fleeting outline sticking right out at you. 

If you're a little more organised and have room in your bag or car to carry some helpful photography props there are a few you can disavow. Reflectors and diffusers are the obvious choices, but a cheaper option would be a piece of card, cloth or towel. Just remember you need something or someone to take these up or you could do this yourself and put the camera on a self-timer. Make sure your shade-creator is a neutral colour too otherwise your image intent have a slight colour cast.

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Left: No shade. Right: With shade.

 

 

Create Your Own Families

If you like shooting blooms on location, you need to consider the background may refer to: Background (journalism) Computer wallpaper Cultural heritage Ethnic background Field (heraldry), background of a very carefully. Out of focus highlights and objects like fence posts, wheelie bins and people can far ruin your pictures even with judicious depth-of-field control. Getting around the problem is potentially very simple. Not only that, but you can be inventive too.

You can use something purpose-made like a reflector or a store-bought background or create your own from a print or a sheet of card.

Sheets of coloured card mtier fine but stay away from glossy finishes because there could be reflection problems. Matt, single-coloured card works superior, but you can also be more imaginative and paint or print your own using your photo printer.

To help with keeping the background blurred, cause a blurred background in the first place so you do not have to worry about aperture choice so much when you come to shooting.

Your 'offing' does not have to be big either. If you are shooting macro studies, a sheet of A4-size card will do nicely.

 

 

Please do note that this modus operandi will not be welcomed everywhere so please do not roll up to an award-winning garden and start setting up your background system. It's also worth memorializing that not all botanic gardens allow the use of tripods or at least have restrictions on use so you need to check this before you head off in search of a potential voter. If you plan on sticking to public gardens, heathlands or even your own garden, you won't have to worry. 

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How you work with your upbringing is up to you. With macro work, it is possible to handhold your camera and the card background behind the subject but it is not comfortable, nor is it great technique. You'll also requirement faster shutter speeds and focusing can be a challenge. As a result, it's much easier to use a tripod so you can hold the background a little way behind the subject much more without difficulty. If you have a spare tripod or a lighting stand, use that to hold the background in place.

When composing your images just make positive the background fills your viewfinder frame – or at least enough of your subject to allow cropping.
 

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Republished: ephotozine.com

About the author

Gina Stephens

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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