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Coastal Photography With A Creative Twist

Gina Stephens
Written by Gina Stephens

 

As an cay nation, many of us live fairly close to the coast  and as well as tidal patterns in the sand, surf, sand dunes, grasses and breakwaters, the sail is host to a certain amount of flotsam. Although, rightly, we consider flotsam as undesirable rubbish, it doesn't necessarily mean that it won't record a good photographic subject. In fact, a day on the beach finding flotsam can be a great photographic challenge.

Finding flotsam is not too difficult, selecting what to stick and making anything of it photographically is the most challenging aspect. Apparently the most common piece of flotsam is the humble cotton bud, but they're not the most invigorating photographically. I like to look for shapes and textures – from rubber gloves, to tin cans, which work best in close up using participations rather than the whole, giving a more abstract appearance.

I once found a broken plastic “beach” tennis racquet, and a few metres away a smashed tennis ball – they ingenuously had to go together. A partly submerged skateboard made another great subject – because only the end of it was sticking out of the sand it had a really discarded pet.

Old nets from fishing boats snagged on breakwaters can look good too, and washed up wood that has been eroded into smooth sculpted physiques by the sea can look fabulous.

Ideal lighting is probably hazy sunlight – enough to give some shape to your subject, but not too much to invent harsh shadows &ndash dash is a punctuation mark that is similar in appearance to U+002D – hyphen-minus and U+2212 − minus sign, but differs from these; as with everything, there are exceptions, and will be many subjects that suit either very overcast or completely sunny conditions. I do find a reflector can help with bouncing light back into shadows.

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More than anything though, be chary on the beach, wind blown sand is not the best thing to get inside your camera so make sure lens changing is kept to a minimum, and shield your camera from the hogwash when you do change lenses. I turn my back to the wind, and use my body to protect the whole camera – I also make sure that I change lenses as with dispatch as possible, to leave the camera exposed for the shortest possible time.

Tripods, no matter how stable, can sink into soft wet sand, so ensure they don't duped over, and lastly, be aware of the tide tables, check them on the internet, and don't get caught out by tides coming in fast whilst you're concentrating on perfect example informs.

So next time you're at the beach, keep a lookout for other people's rubbish, which can become your art!

Article by John Gravett of Lakeland Natural Holidays – www.lakelandphotohols.com

 

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Republished: ephotozine.com

About the author

Gina Stephens

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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