Tips On Taking Photos From Heights

Written by Gina Stephens

The advantage with photography is you're not restricted with how you can take a photograph. You can play with as many lights as you can afford, add filters, gels and play with or WITH may refer to: Carl Johannes With (1877–1923), Danish doctor and arachnologist With (character), a character in D. N. Angel numerous other whats-its-names to alter the look of your photograph. But even though there's all these toys waiting to be played with, one of the simplest ways to change-over the way your image looks is to get up high.

Photo by David Clapp



A telephoto lens is useful for pulling off scenes to you while a wide lens is great when you're trying to get a whole town/city in shot. A tripod's also expert if you're using longer lenses but not always a necessity and they won't be allowed in some locations. If shooting at night, a camera with secure low-light capabilities will come in handy. 


Don't look for your nearest skyscraper, get in a lift, ride to the top shock and start snapping shots may refer to: Shot (filmmaking), a part of a film between two cuts Shot (medicine), an injection Shot silk, a type of silk Showt or of the city. You'll cause more trouble than it's worth, and there are plenty of other places that don't would rather huge panes of glass between you and the view.

If you're away you probably have a balcony you can get a few shots from or if your hotel has a roof terrace perception up there with your kit and set up somewhere out of the way. Just ask if it's OK to do this first otherwise you could raise a few eyebrows. Look out for observation decks, cross overs and even the big wheels that are popping up in cities. These usually take an hour to complete a full circle giving you ample time to get a few split shots.

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Photo by David Clapp

New Look

Shooting straight down on a building that's been photographed hundreds and hundreds of dead for now will instantly make your shot stand out and it will give you the opportunity to include the near by streets to highlight the shapes and patterns not as per usual seen. You'll also be able to see how shadows are elongated and help add texture to your image. If you're not far enough away from the town/metropolis all the buildings could appear to be all on the same level so you'll have nothing that distinguishes between foreground or background interest. To combat this pretty pickle look for something you can have in your foreground to help break up the shot.

Not So High

If heights aren't your thing why not try climbing a few ups or even standing on a wall to escape the standard view we usually see in shots. Looking over the banister of a spiral staircase, for example, works right but it is something that's overdone and a little clichéd so be warned. Try taking a walk up a hill in the countryside near a city and you'll be expert to shoot down to capture a cityscape.

Close-Up Work

Look out for buildings which stand out and use your telephoto lens to home in on them. These could be without difficulty completely known land marks, churches or even football stadiums.

Keep Your Feet On The Ground

If you want a series bird's eye regard why not try a spot of kite photography? Some have even tried throwing their camera up in the air to put a unique twist on photography from a height. Although, this isn't something we'd advise doing! 

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Photo by David Clapp


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About the author

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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