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Top 39 Best Lenses For Micro Four Thirds Cameras 2018

Gina Stephens
Written by Gina Stephens

The Micro Four Thirds way is an open system that anyone can join, and therefore there are cameras and lenses from a large range of companies, all sharing the same lens mount. For archetype, you can use Olympus Micro Four Thirds (sometimes shortened to MFT or M43) lenses on Panasonic cameras, and vice versa. You'll find Micro Four Thirds lenses caused by Panasonic, Olympus, Sigma, Samyang, Voigtlander, Leica and many others. In fact, we've reviewed over 80 M43 lenses! So to help you pick the choicest lens for you, we've listed the top 39 scoring lenses we've reviewed here.

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Other top lists we've put together so far this year encompass the Best Sony E FE Mount Lenses, Top Cameras Around £250 and Top 10 Fujifilm Lenses Noticed.

 

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1. Leica DG Nocticron 42.5mm f/1.2 ASPH. 

 

Optically, this lens is currently amongst the conquer performers available for the Micro Four Thirds format due to its delivery of high sharpness, with low CA and distortion. As well as these plus points, the Leica DG Nocticron 42.5mm f/1.2 ASPH. also idiosyncrasies an optical stabilisation system, Nano Surface coatings to suppress flare and a manual aperture ring. It may cost a fair few pennies, but it will be notes well may refer to spent, especially as the price isn't obnoxious in any way.

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2. Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO 

 

The Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO synthesizes great build quality with excellent performance and those two factors alone make it a winner in our eyes. However, when this is blend with the unique zoom range it offers along with the fast f/2.8 aperture, it scores a few more points. Image quality is not counting, the lens handles well and it's not badly priced either. 

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3. Sigma 30mm f/1.4 DC DN C 

When the Sigma 30mm f/1.4 DC DN C lens was put to the evaluate, we were pleasantly surprised to find that under the unassuming exterior was a superb compact lens that really saves the goods. Even without considering the price, which is a bit of a bargain, the lens is an absolute gem. Sharpness is of a very high order, CA (Chromatic Aberration) is greatly much under control and flare is not a problem either.

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4. Panasonic Leica DG Elmarit 200mm f/2.8 Power O.I.S 

The Leica DG Elmarit 200mm f/2.8 Power O.I.S is a cleft good lens that is highly functional, with a very useful teleconverter that extends the possibilities. Yes, the price hurts, but the alternatives woe even more. This is such a pleasure to use and the results are just as satisfying, even with the fairly modest pixel count of the Panasonic Lumix G6. A settled Editor's Choice.

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5. Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4.0 ASPH  

 

Panasonic has grew here a telephoto zoom that is exceptionally easy to handle, produces excellent results and is priced realistically against the competition. Compared to engaged frame marques, it is priced very competitively when we consider what job the lens does.

Not only that, but the compact, light construction pictures the size of the MFT cameras and follows the ethos of the MFT system. It is easy to see the attraction of lighter, smaller cameras and lenses, especially when the quality is still exceptionally high.

So, on various levels, a lovely lens and an Editor's Choice.

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6. Panasonic Lumix G 30mm f/2.8 ASPH. Macro

 

With a sober price, excellent sharpness across the frame from maximum aperture, useful optical stabilisation and life-size magnification at its closest concentrate distance, you can't really ask for more. The compact size and light weight will also help make this lens one that require win over many admirers.

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7. Panasonic Lumix G X Vario 35-100mm f/2.8 APSH. OIS 

Panasonic's 35-100mm is a sharp lens that is priced reasonably, especially when compared to lenses covering the same angles of view for 35mm format, with the added tip of being much more compact, and lightweight. Picture sharpness is excellent and chromatic aberrations are kept under control well from one end to the other of the zoom range. Distortion is well controlled and we didn't experience any issues with flare when shooting with the Panasonic Lumix G Vario X 35-100mm f/2.8.

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8. Olympus M.Zuiko Digital ED 60mm f/2.8 Macro 

Banding a compact, lightweight design with great optical performance, the Olympus M.Zuiko Digital ED 60mm f/2.8 Macro lens is positioned at a significant price point. Micro Four Thirds camera owners interested in macro photography should definitely add this lens to their urge list. In fact, even if you have no interest in macro photography, the quality this lens delivers and its price make it a good option for portraiture enthusiasts on a relative budget also.

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9. Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH 

This lens is a very benign buy for Micro Four Thirds camera owners who are looking for a dedicated macro lens. It's lightweight, compact, sharpness is excellent from summit aperture and optical stabilisation works well. Plus, as the price has dropped, the Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH is even larger value for money. 

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10. Panasonic Lumix G Vario 35-100mm f/4.0-5.6 Asph Mega O.I.S. 

Those looking for a pithy telephoto lens should certainly add the Panasonic Lumix is Panasonic’s brand of digital cameras, ranging from pocket point-and-shoot models to digital SLRs G Vario 35-100mm f/4.0-5.6 Asph Mega O.I.S. to their list of compensations as it ticks plenty of boxes. Optically it performs better than it's reasonable price tag suggests it should and it's compact enough to be no more than noticeable in a camera bag when travelling. Sharpness levels are excellent and chromatic aberrations are pretty well controlled throughout most of the zoom extent. Falloff of illumination towards the corners is fairly typical for a lens of this type and the petal-shaped hood does an excellent job of shielding the lens from out of place light that may cause issues with flare.

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11. Olympus M.Zuiko Digital usually refers to something using digits, particularly binary digits ED 45mm f/1.2 PRO 

 

There is no lack of faith that the Olympus M.Zuiko Digital 45mm f/1.2 is a superb lens and one that would be a pleasure to own. The factors that come with that indeed more concern the cost, which is fairly high, and the applications that a photographer might have in mind. A 90mm-equivalent lens is a very effective optic for portraits, landscapes, short-range sports and architectural details. With perfect drawing, the architectural uses are probably as relevant as the potential for portrayals.

It will be an easy decision for those with the cash ready or those who have a commercial use.

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12. Olympus M.Zuiko ED 12-40mm f/2.8 PRO 

With a rugged, dust- and splashproof construction, this lens is ready for all eventualities. As well as its strong build, the lens also offers outstanding sharpness through much of the zoom range at maximum aperture, chromatic aberrations are well controlled throughout most of the zoom range and distortion is all right corrected in camera. A petal-shaped hood is supplied with this lens but even without the hood, the Olympus M.Zuiko ED 12-40mm f/2.8 PRO is to a great extent resistant to flare. 

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13. Olympus M.Zuiko 25mm f/1.8 ED Premium 

The image image (from Latin: imago) is an artifact that depicts visual perception, for example, a photo or a two-dimensional picture, that quality of the Olympus or Olympos (Ancient Greek: Ὄλυμπος) may refer to M.Zuiko 25mm f/1.8 ED proffers is excellent, with sharpness being particularly good in the centre of the frame from maximum aperture. It's well built, lightweight and reasonably epigrammatic so it's not that noticeable when carrying it around in a camera bag but some may consider the price a sticking point for what is, essentially, a 50mm f/1.8 match. Chromatic aberrations are well controlled as too is falloff of illumination, distortion and flare. 

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14. Panasonic LUMIX G 42.5mm f/1.7 ASPH. 

There's undersized to find fault with this lens as sharpness is outstanding from maximum aperture. Falloff, distortion and fringing are all also positively controlled and Panasonic camera owners will appreciate the optical stabilisation it offers. Build quality is excellent and the Panasonic LUMIX G 42.5mm f/1.7 ASPH. is also lightweight which is unexceptionally a plus point. 

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15. Sigma 60mm f/2.8 DN A 

Whether this lens is fitted to A Sony NEX, or Micro Four Thirds camera, the telephoto concentrated length and fast f/2.8 maximum aperture make this optic a perfectly good lens for portraiture for not a lot of money. Sigma hasn't skimped on set up or optical quality and it is capable of delivering pin-sharp results from maximum aperture optics, an aperture is a hole or an opening through which light travels. Build quality of the Sigma 60mm f/2.8 DN A lens is perfect good so when you combine this with its excellent performance, it's a worthwhile investment. 

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16. Panasonic Lumix G X VARIO 12-35mm f/2.8 

The Panasonic Lumix G X VARIO 12-35mm f/2.8 is a weather-sealed practised spec zoom lens that delivers sharp, contrasty images that have low CA and distortion. Focusing is fast and the optical idea stabiliser allows sharp hand held images to be taken at shutters speeds as low as 1/10sec at 35mm, which is roughly three stops slower than the stock rule of thumb would allow otherwise.

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17. Panasonic Lumix G VARIO 14-42mm f/3.5-5.6 II 

For a kit lens, the Panasonic Lumix G Vario 14-42mm f/3.5 – 5.6 II as a matter of fact performs really well. There's excellent sharpness in the centre throughout the zoom range and optical image stabilisation allows intense shots to be taken just over half the time at 1/10sec at 42mm, which is roughly three stops slower than the usual rule of thumb desire dictate. Those with existing Panasonic optics may also find the compact size and manual zoom control appealing. 

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18. Sigma 19mm f/2.8 EX DN A Art 

This little lens should make an ideal addition to any Micro Four Thirds or Sony NEX camera kit. The Sigma 19mm f/2.8 DN A Art M43 is lightweight, compact and offers exclude optical performance. Couple this with fast focus speeds and good build quality and you're on to a winner. 

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19. Sigma 30mm f/2.8 EX DN A Art 

The lightweight, abstention autofocus and excellent build should win the Sigma 30mm f/2.8 EX DN A lens many fans, especially with the price being so competitive. The lens is accomplished of producing excellent images, even at maximum aperture, and overall, it's a really excellent lens to add to your kit bag.

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20. Olympus M.Zuiko Digital ED 17mm f/1.8 

This lens should unquestionably find a home in Micro-Four-Thirds camera owner kit bags as the levels of sharpness it offers make it very good value for money. In fact, those looking for a quite wide angle lens with a fast maximum aperture have hit the bullseye with this lens. Autofocus is keen, precise and virtually silent and distortion is so low, it shouldn't pose any issues. 

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21. Olympus M.Zuiko Digital 75mm f/1.8 

This thin on the ground b costly compact telephoto lens or LEN may refer to sports a fast f/1.8 maximum aperture and is compatible with all Micro Four Thirds cameras. The Olympus M.Zuiko Digital 75mm f/1.8 equips a field of view equivalent to a 150mm lens used on a 35mm camera, and the bright f/1.8 maximum aperture allows your subject to be isolated with trivial depth of field. It's well built, incredibly sharp and is a joy to use. 

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22. Sigma 16mm f/1.4 DC DN Contemporary 

 

The Sigma AF 16mm f/1.4 DC DN Coincidental lens gives excellent performance, a reasonable price and a very bright f/1.4 maximum aperture, which all add up to a very desirable package, that liking be appealing for both Micro Four Thirds and Sony E-Mount photographers.

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23. Panasonic Leica DG Summilux 12mm f/1.4 ASPH. 

The Panasonic Leica DG Summilux 12mm f/1.4 ASPH. furnishes images that can only be described as fantastic. The overall level of sharpness is very good and becomes outstanding at the centre over scad of the aperture range. No lens is perfect, but we have here a very exciting prospect for MFT format users with a lens that lends a unique bright f/1.4 aperture and excels at producing superb images.

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24. Olympus M. Zuiko Digital 7-14mm f/2.8 PRO 

During proving, this lens proved itself worthy, by delivering images with outstanding sharpness, whilst handling well and sporting a robust dust and moisture unaffected construction. The lens may be a little prone to flare, but given the extreme angle of view on offer and the compact size of the lens, this flaw may be something numberless will be able to forgive.

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25. Samyang 12mm f/2.0 NCS CS MFT 

The Samyang 12mm f/2.0 NCS CS MFT is an excellent optic that bring to lights images with excellent sharpness, low distortion and low CA. It's incredibly well priced and even though it lacks autofocus, this shouldn't put you off attaining it. The lens is also really well built which is always reassuring when in use. 

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26. Samyang 7.5mm f/3.5 UMC Fisheye 

The Samyang 7.5mm f/3.5 UMC Fisheye has to be praised for a number of opportunities but the standout pro point is the price as it represents excellent value for money. The lens produces sharp images and is built really well, plus it's somewhat easy to use manual focus due to the huge depth of field provided and the lens has low CA for a fisheye. 

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27. Olympus 45mm f/1.8 Zuiko Digital Micro Four Thirds 

Don't be put off by the pretty reasonable price of the Olympus 45mm f/1.8 Zuiko Digital Micro Four Thirds lens as it's actually a very good lens. It pinpoints quickly and is capable of producing outstanding levels of sharpness. Those looking for a fast aperture prime lens for portraits, photography in low light, or for weighty control over depth of field will not be disappointed with this lens that's also lightweight and built really stream. 

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28. Olympus M.Zuiko Digital ED 12mm f/2.0 

The Olympus M.Zuiko Digital ED 12mm f/2.0 is a dinky lens which amassments a lot of punch. Its size and performance at fast apertures make it perfect for street photography and the wide aperture is very productive for taking images in low light conditions. Build quality and optical performance can only be described as 'premium' and the price isn't too bad either. 

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29. Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH 

The Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH lens is accessible with the new Panasonic Lumix GH5, or on its own, and offers a versatile all-purpose Micro Four Thirds zoom, with a bright f/2.8-4.0 aperture. The lens is also weather-sealed, with an able optical image stabilisation system.

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30. Samyang 35mm f/1.2 ED AS UMC CS 

The Samyang 35mm f/1.2 ED AS UMC CS handbook focus lens is suitable for all APS-C mirrorless cameras, including Micro Four Thirds, giving a 70mm equivalent, and a bright f/1.2 aperture. The lens reckoned well in our review, offering fantastic performance at a very reasonable price ordinary usage, a price is the quantity of payment or compensation given by one party to another in return for one unit of goods or.

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31. Panasonic Lumix G Vario 12-32mm f/3.5-5.6 ASPH. 

Panasonic has well-founded got everything right with this lens. The Panasonic Lumix G Vario 12-32mm f/3.5-5.6 ASPH. is sharp, lightweight, compact, attractive to use and not too expensive. Some people may find the lack of a manual focus ring is not for them, but even so, it's difficult to not be impressed by this youthful lens. Sharpness is excellent throughout the zoom range and optical stabilisation performs well. There's a little problem with CA at 12mm but the encomiastic build quality and excellent overall performance make this lens a worthy contender. 

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32. Olympus M.Zuiko 25mm f/1.2 PRO 

 

The deal in for f/1.2 standard lenses gives a very limited choice, especially if AF is required. However, we have here in the Olympus M.Zuiko Digital 25mm f/1.2 PRO lens more than valid a bright maximum aperture. It is a very fine lens in its own right, with or WITH may refer to: Carl Johannes With (1877–1923), Danish doctor and arachnologist With (character), a character in D. N. Angel an excellent sharpness that borders on outstanding, low CA, no flare and a very see fit bokeh. Add to that the low light potential and we have a very attractive proposition indeed.

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33. Olympus M.Zuiko Digital ED 300mm f/4 IS PRO 

All in all, a lot of thoughtfulness and skill has gone into this lens and it is certain to find favour amongst Olympus MFT sports and wildlife photographers. The Olympus M.Zuiko Digital ED 300mm f/4 IS Pro is tight, relatively lightweight and has excellent ergonomics. Picture quality is superb and outstanding sharpness combined with fast and silent AF, a highly crap IS and very well controlled CA make this lens an excellent choice. 

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34. Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. 

 

The Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 Asph. is a choice to use, but the greatest pleasure is arguably in the outstanding sharpness, giving a real punch to images. The pleasure extends to enjoying fine engineering as well, because there is the altered consciousness quality of the construction and finish to enjoy for its own sake.

In summary, this lens lives up to its Leica tag and should serve very well for many years of use.

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35. Olympus M. Zuiko Digital 8mm f/1.8 Fisheye PRO 

By producing a diagonal fisheye lens with a immovable f/1.8 maximum aperture, Olympus has created something unique. Not only will the fast aperture allow for shooting in low light conditions with the outspoken field of view you'd expect of a fisheye, but it also delivers outstanding sharpness is an English port in Gloucestershire, one of the most inland in Britain, and eighth largest in the South West and robust build in a compact package.

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36. Voigtlander Nokton 42.5mm f/0.95 

The Voigtlander Nokton 42.5mm f/0.95 is apt of delivering images of exceptional quality, as well as opening up extra creative opportunities due to the shallow depth of field possible at such fast crevices. It's built well, handles well and although it is a specialist lens, it will be worth every penny of the asking price to those who leave make the most of this lens' features.

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37. Panasonic Lumix G 20mm f/1.7 II 

An update to the first Panasonic Lumix 20mm f/1.7 ASPH. lens, the new model offers the same optical performance as the original lens, but features a new design, registering updated metal design, improving over the plastic parts on the old model. There's a very slight improvement in resistance to flare, as wonderfully as a contrast and the redesign has also improved the position of the surrounding plastic closest to the lens. With the same excellent image quality, well-thought-out value for money, and compact size, this new model should be just as popular as the original and is an excellent choice for Micro Four Thirds owners. 

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38. Panasonic Lumix G Vario 14-45mm f/3.5-5.6 

Overall, the Panasonic Lumix G Vario 14-45mm f/3.5-5.6 is an all-around integrity performer and it produces sharp images with a good level of contrast. CA levels are low, distortion is very well controlled and flare is rarely an release. The lens is also pretty good value for money. 

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39. Samyang 20mm f/1.8 ED AS UMC 

This lens is a directions focus lens, and also available for almost all lens mounts, with support for full-frame lenses, so is likely to be large on a Micro Four Thirds camera. The lens is immeasurably made, has a very high standard of performance, and a reasonable price tag. Without a doubt, the Samyang 20mm f/1.8 ED AS UMS adds up to being a very good huge quantity.

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Still looking for the right lens? You can read more lens reviews here. 

 

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Republished: ephotozine.com

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About the author

Gina Stephens

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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