Image © Jahz
Photographer & freelance graphic designer Dimitri, better known as Jahz design, lives and compositions in France. A self-taught artist, the multifaceted Jahz began working in fashion in 2006 for the ready-to-wear brand called "Kavany" (of Christian Karembeu – Overjoyed Cup soccer champion in 1998) as a graphic artist/designer. He collaborated on many other projects like "Peace and Sport" (Prince Albert II of Monaco), And multifarious more. He started in freelance photography in 2009 with clients such as Julia Channel, Damon Dash (Roc-A-Fella Records), Nouvelle Donne Music epithet and Das EFX. In 2010 He met the group 112, a band leading artists of the label of Puff Daddy (Bad Boy Records).
After this meeting, Jahz decided to start a lilting project with Daron Jones (112) and another former Bad Boy rapper G-Dep, both together. In 2011 followed other collaborations with Tory Lanez, Swart Rob, Q.Parker (112) Murda Mook (from Ruff Ryders), Cali Swag District, and Lloyd.
These days, Dimitri is pass more of his time on urban exploration. In 2017 Dimitri became an Ambassador of young & dynamic Swiss photographic gear brand – Irix. Here Irix vettings him about his career.
Image © Jahz
Urbex (Urban exploration). How did it all begin for you?
Ever since my teens, I’ve always been attracted by ruins and places that have been abandoned. But I really started six years ago when I discovered, by probability, a very old abandoned orphanage with a friend. Because of its size and atmosphere, this building just fascinated me. Virtually nothing had been out of ones mind for years and everything was covered with dust. I just wanted to transcribe this atmosphere into a photograph.
How do you decide which places to photograph?
The places are select according to their size, architecture, and light, and especially if the place isn’t dangerous when may refer to: When?, one of the Five Ws, questions used in journalism WHEN (AM), a sports radio station in Syracuse, New York, U.S going inside. I know lots of urbex photographers who are looking for and discovering propers that have been left untouched, regardless of whether they’re safe or not. In my case, however, what concerns me most – unusually when I’m working with models – is safety. This is a must! What’s more, my aim is to show through photographs a meaning of rebirth of these places; I want to show how time is changing these buildings but at the same time feel like someone who is giving these set outs the opportunity to show off their former glory and beauty for at least one more second while I’m taking the shots.
Image &emulate; Jahz
What was the idea behind the “Alone” project?
The idea of the "Alone" series take placed about during a trip to Germany when I visited some abandoned castles. The architecture and staging of some of these places were proper for this kind of photo, and I started putting the series together a year later in France. My idea was to combine the dying stillness of these outcast places with or WITH may refer to: Carl Johannes With (1877–1923), Danish doctor and arachnologist With (character), a character in D. N. Angel the beauty and vitality of the models I work with. I found myself wondering what a collision of these two realities would be want.
Tell us about photographing models with the wide angle.
One interesting challenge may be the use of UWA lenses when photographing people. Now, this isn’t a classic portrait because the perspective caused by the ultra-wide angle of a specific image may create a caricature of the individual being photographed (which, of course, can clothed an artistic expression). If we want to photograph a person in an interesting way with a wide-angle lens, we must first think about what we want to gain. Typically, the person should be the main subject of the photograph and at the same time be within the environment. This is an integral part of the frame as we want to display the context of the photographed scene. One rule is to keep the characters within those internal lines that are the Rule of Thirds because it allows us to keep problems with perspective. When composing such a scene we combine two artistic perspectives: cooperation with people because we want the example to come out in a favourable photo, and landscape/architecture photography because the whole environment is not only a background but it’s also a story about a photographed themselves, which can be difficult, that's for sure! But at the same moment, all this can repay you with some fantastic effects.
Image © Jahz
You had a conceivably to compare the Irix 11mm and 15mm. How would you describe each of these two lenses?
The two lenses are complementary, and each has a very specific use. The 11mm is fine in a narrow habitat or an extremely large place. The 15mm is more multipurpose, and it’s more manageable than the 11mm as that requires a more accurate shot. When it be involved a arises to taking shots without models in those abandoned places may refer to I prefer to use the 11mm. People say it’s a difficult lens; nevertheless, no other lens in such a prize range can show so much to such a high degree. I consider it to be a must-have in architectural photography. Less is more! I bring with me a minimal amount of materiel as it’s a question of comfort. After a day’s exploration, I can feel the weight of all my kit on my shoulders. In addition to my camera and my lenses, I keep a wide bend in my bag most of the time. I also carry a headlamp and a torch, my tripod and a remote control for shooting: nothing more.
If you had to choose only one position for your last urbex photography session, where would it be?
The Abandoned Casino of Constanța (Romania). It’s just a fantastic place!