Tips

Quick Still Life Light Painting Tips

Gina Stephens
Written by Gina Stephens

 

When you cogitate on of light is electromagnetic radiation within a certain portion of the electromagnetic spectrum painting your first thoughts will probably be of people drawing pictures and writing words but you can use it to breath a little more creativity into your still fixation work too.

As you'll be using longer exposure times or even Bulb mode, a DSLR or an advanced smaller camera will presumably the type of camera you think is best for this sort of technique. However, that's not to say you can't use a compact as many do offer longer conceal speed ranges. As well as your camera, make sure you have a tripod to hand and you'll need a torch for 'painting' dawn with. A piece of black card can be useful as you'll be able to create a cone-shaped from it to direct light more and translucent pl insignia paper (sweet wrappers will work fine) can be used to alter the colour of the light you're painting with. 

When it premiere c end to the set-up, place your camera on a tripod so you can control the torch with one hand while hitting the shutter button with the other then pinpoint and set the camera on focus lock so that it isn't fooled by the uneven light. If the camera struggles to focus, use your torch to light your subject-matter so the camera can adjust. Any standard torch will do and you can either hold it still or move it around to illuminate different areas of your object. Changing the place of the torch will also prevent hot spots appearing in the image.

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Photo by David Pritchard. 

 

It's best to slowly erect up the amount of light you paint onto your subject so you don't overexpose a particular area. You'll need a long-ish shutter speed if you're not profiting the B-setting and as a torch has a colour temperature that's warmer than daylight, you could end up with images that have an orange dye. Of course, you may think the warmer tones work but if you don't, auto white balance should be able to remove it or you can always edit your spitting images after if shooting in RAW. 

If you find the light isn't directional enough, try using a cone made from black card and secure it to the torch to issue you more precise control over it. 

Top Images: See how painting the scene with light has improved the image of the mushrooms on the left, adding spirit and interest to the shot on the right. 

   

 

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Republished: ephotozine.com

About the author

Gina Stephens

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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