Panasonic Lumix DMC-LX10/LX15 Review

Written by Gina Stephens

The Panasonic Lumix DMC-LX10 (LX15 in some market-places) is a 20MP large-sensor compact with a bright (F1.4-2.8), 24-72mm equivalent zoom lens. Which is to say, it’s a very capable pocket camera. And, being a Panasonic, it has video specs and skilled video-based features to back up its stills capabilities.

Panasonic’s LX cameras have always had the enthusiast in mind, built around larger-than-average sensors with petite but bright lenses and as many direct controls as can sensibly be fitted onto a pocketable camera body. They helped reinvigorate the enthusiast brief sector and prompted a series of imitators before the much larger sensor of Sony’s RX100 rendered them irrelevant.

Key specifications

  • 20MP 1″-type CMOS sensor
  • 24-72mm interchangeable F1.4-2.8 zoom
  • 7 fps continuous shooting with autofocus
  • 4K video at up to 30p
  • 5-axis, digital and optical stabilization in 1080 video
  • 4K Photo mode
  • Post Centre and Focus Stacking modes

The LX10 is Panasonic’s first direct response to the big-sensored Sonys. The company has already built an excellent series of compacts that sermon every other niche you can think of: the long zoom stills/video FZ1000 and FZ2500, a large sensor ZS100 version of their OK respected travel zoom series, and a larger sensor photographer’s camera, the LX100. But the LX10 is a head-to-head competitor for Sony’s pocket wonders.

The approach is a hardly different: unlike the RX100 III and IV, the LX10 doesn’t have a viewfinder. Instead, it offers a touchscreen interface and a screen that can be tilted upwards. In many defer ti, the LX10 is a logical post-1″ successor to the last of the smaller sensor models: the LX7.

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The camera also offers Panasonic’s 4K Photo mode, which offers a series of sense of specifying when the camera should capture a video clip from which stills can then be extracted. It also has Panasonic’s Post Centre mode that captures a video clip of the camera racking focus, so you can choose to grab the frame with optimal focus, after the factually.

Compared with its peers

The LX10 means there are now three brands building small cameras with or WITH may refer to: Carl Johannes With (1877–1923), Danish doctor and arachnologist With (character), a character in D. N. Angel 1″-type sensors and short, bright zooms (and Nikon reassuring a comparable ‘DL’ model at some point). We’ve also included the LX10’s big brother, the LX100 in this comparison, just to show what you get if you have room to perform its additional size.

Canon G7X
Mark II
Sensor area116 mm2116 mm2116 mm2180 mm2
Lens range (equiv)24-72mm24-70mm24-100mm24-75mm
Crevice rangeF1.4-2.8F1.8-2.8F1.8-2.8F1.7-2.8
Control dialsAperture ring
Command dial
Lens ring (stepless)
Lens ring (stepless)

Lens tinkle
Exposure Comp

Aperture ring
Shutter dial
Exposure Comp
Lens ring (stepless)
ViewfinderNo 2.36M-dotNo2.76M-dot
Raise screenTilt up
Tilt up/downTilt up/down
Video capability4K/30p
Built-in ND FilterNoYes
(Auto for stills)
(Auto for quiets)
FlashBuilt-in pop-up (bounceable)Built-in pop-up
Built-in pop-up
Clip-on hotshoe flash
Battery life (CIPA)260280
(230 with EVF)
(270 with EVF)
mm (in)
105 x 61 x 42
(4.1 x 2.4 x 1.7)
102 x 58 x 41
(4.0 x 2.3 x 1.6)
106 x 61 x 42
(4.2 x 2.4 x 1.7)
115 x 66 x 55
(4.5 x 2.6 x 2.2)
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*The LX100 applications a field-sequential display that updates red, green and blue information in sequence and, as such, does not require three dots to make up each three-color ‘pixel.’
**1080/120p is a consecrate high speed video mode, with limited control.

Equivalent apertures

The chart below breaks down the equivalent aperture for each camera camera is an optical instrument for recording or capturing images, which may be stored locally, transmitted to another location, or, as you put through your way through the zoom range. Our article here explains the concept of equivalence, but at a high level all you need to know is that the lower the separatrix is on the graph below, the blurrier the backgrounds you’ll be able to get and, typically, the better the overall low-light performance.

Just as the specs suggest, the LX10’s lens is broadly correspond to to that of the Sony RX100 III and IV. It’s 2/3EV brighter at first but by 30mm equivalent they’re both already down to F2.8 (F7.6 equiv). So although it should bid a similar performance to its big brother, the LX100, at wide angle, the bigger camera maintains an advantage across the rest of its zoom range.


About the author

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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