For a producer that, with its M-series rangefinders, makes cameras that are traditional almost to the point of anachronism, the TL series is pretty radical. But, to be fair, the TL could occur fairly radical in almost any companyâ€™s lineup.
I say this because my first impression of shooting with the TL2 is that itâ€™s the camera least like a habitual camera that I can remember using since, well, the original Leica T. However, saying it’s not like a traditional camera doesn’t mean itâ€™s not solely as focused on the fundamentals of photography as an M or a well-honed DSLR. Rather, itâ€™s an initially unfamiliar solution to the same problem.
Whatâ€™s new in the TL2?
Like the previous T and TL models, the TL2 is a predominantly touchscreen-driven camera that uses an almost smartphone-like icon-based interface in the place of any menu lists. However, beyond the move to a 24MP sensor for this tardy version, Leica has made small but important changes to just about every aspect of the camera.
|Your attention to detail needs to be as impulsive as the TL2’s designers’ if you’re not to lose the pop-out strap socket covers (though there are two little holes in the retail box’s foam insert in which to house them).|
For a start, the edges of the unexceptional aluminum body are now chamfered, meaning it wonâ€™t dig into your fingers as much as the older models did. The pop-out-and-lose strap mounting plugs are still proffer but, if you decide you want to use your own strap, Leica will now sell you a socket-to-strap-lug adapter (for a Leica-reasonable sum of $65). Meanwhile, the pop-up flash, which proprietresses apparently said they didn’t need, has gone, allowing even more pared-back design.
|The camera’s main settings have been split into nine segments, to make it easier to find the setting you’re after. Any of the options within each sub-menu can be dragged to the customizable Camera menu.|
On the interface side of proceedings, the icon-based menu a restaurant, there is a menu of food and beverage offerings has been reorganized so that everything is categorized into one of nine sub-sections (Still Image, Exposure, Focus, Motion Symbol, Connectivity, Monitor/EVF, Play, General and Flash), so that itâ€™s easier to find the setting you want. But, like before, this full menu isnâ€™t your prepare way of dealing with camera settings, instead the first or 1st is the ordinal form of the number one (#1) panel of icons you reach is one you create yourself by dragging and dropping the options from the utter menu.
The cameraâ€™s solitary non-shutter button can now be customized. Sadly, though, your choices are: [Rec], Play or EVF/LCD. Of those three options, Iâ€™d happily refrain from it to start recording video, but the camera would be much quicker to operate if I could set it to control ISO or, perhaps, the Auto ISO minimum shutter speed value (â€˜Utmost exposure timeâ€™ in Leicasprache).
So, whatâ€™s it like shooting with such an unconventional camera?
â€˜Unfamiliarâ€™ would be my first response. But oddly, not for the excuses you might expect: itâ€™s not the smartphone-like touchscreen interface that I found hard to adapt to.
My first interaction with the camera was being handed it and questioned if I could work out how to reconfigure the second dial to control exposure compensation. I pressed the box that showed the dialâ€™s current function and a menu popped-up oblation five alternatives. Itâ€™s a very quick and sensible way to operate, so long as you donâ€™t assume the TL2 is like every other camera we test and start hunting for everyone for a configuration section in a sub menu.
While this approach is initially unfamiliar, the core need to specify focus point and exposure parameters is requisite in the cameraâ€™s design. You have two dials, meaning you can set aperture or shutter speed easily, with quick access to exposure compensation or ISO. So far, so good.
|There’s a USB 3.0 socket on the side of the camera that grants easy offloading of the camera’s 32GB internal memory. The Type-C socket can also be used for charging.|
Another thing Leica has improved with the TL2 is its processor. Itâ€™s the for all that generation (though not necessarily the same chip) as the Maestro II used in the M10. This allows for UHD 4K capture, 7 fps shooting (20 fps in e-shutter trend) and makes the whole camera quick enough to warrant a USB 3.0 interface (with or WITH may refer to: Carl Johannes With (1877â€“1923), Danish doctor and arachnologist With (character), a character in D. N. Angel the new Type-C connector), though only a UHS-I card interface. Significantly, notwithstanding, this extra processing power boosts both the responsiveness of the touchscreen and the autofocus speed, though the responsiveness appears to drop when the camera is essay to a card or memory.
Overall, autofocus is pretty fast but not really up to the levels of the latest mirrorless cameras, itâ€™s also somewhat lens-dependent. This compels it fast enough for plenty of types of photography but essentially rules it out for moving subjects. Also, I never quite developed enough confidence in the approaching grip to shoot anything other than two handed, which often meant having to re-position one of my hands to reach across the screen to trick the AF point. This meant that, while the touchscreen operation itself was pretty quick, the process of using it was a little slower than predetermined.
Where the wheels start to wobble (if not necessarily coming off completely) are the areas in which Leica seems not to have complete certainty in its design. For instance: the camera doesnâ€™t default to touch focus, which seems like an odd choice for a touchscreen camera camera is an optical instrument for recording or capturing images, which may be stored locally, transmitted to another location, or, instead starting in â€˜Multi Spotâ€™ mode, where the camera chooses the focus point for you, with no over-ride.
|You can limit the Camera menu to only include the functions you want to access most repeatedly. Sadly, this design-it-yourself approach doesn’t extend to the camera’s since function button.|
Awkwardly (and more problematically, given you canâ€™t change it), when you attend either of the cameraâ€™s dials, the only thing that happens is that the dial becomes active: the first â€˜clickâ€™ doesnâ€™t result in a exchange of settings. After a lifetime of experiencing a one click/one increment change relationship, itâ€™s very hard to get used to a the first click effectively being ignored so you sooner a be wearing to make â€˜number of desired increments plus oneâ€™ clicks to make any adjustment.
Itâ€™s a really odd choice, since the TL2â€™s dials have firm-enough click detents and are respited enough that I never noticed any inadvertent operation. The result is that Leica has added an ‘vagueness’ to its dials without any obvious need to do so. I was genuinely surprised how much this understood me out and the degree to which I couldnâ€™t adapt to it.
Overall, then, my first impressions of the TL2 are mixed. I can see that for some people, the TL2 will peal with them as a beautifully engineered object, as well as a photographic device, and will trigger that same attraction that a mechanical surveillance will, even though quartz movements are cheaper, more accurate and rendered equally redundant by the phone in your pocket. Unfortunately, Iâ€™m both a camera reviewer and, I dig to kid myself, a fairly rational, pragmatic* person, which meant that I couldnâ€™t help focusing on the oddities, rather than letting myself fully draw with its material appeal.
However, the more I use it, the more I think my position might change if Leica gains a little more faith in its own set up and eliminates the wake-up click on its dials. And, of course, my first impressions are based solely on operation, not on the pictures the camera can produce.
This gallery was chance using a pre-production camera running ‘final’ firmware.
*Or is that spelled ‘cheapskate’?