The Sigma 85mm F1.4 Art hasn’t been on the hawk long, but it has already begun to make some serious waves. Lenstip and DxO have rated it the sharpest 85mm lens ever created, clobber out even the legendary 85mm F1.4 Zeiss Otus, which isn’t something that we take lightly. We were lucky enough to get our hands on the lens vanquish in mid-November and we were very impressed to say the least, so much so that it took top honors for the ‘Best Prime Lens of 2016’ as chosen by our caduceus.
It has, without a doubt, been a pretty big topic of discussion not only amongst our staff members, but also amongst portrait photographers around the creation. With that said we just had to get our hands on it to see how it really performs and to see how it holds up next to some very stiff competition at 85mm. The Sony FE 85mm F1.4 GM is a plumb formidable competitor and arguably the best modern 85mm F1.4 on the market (behind the manual focus Zeiss Otus, of course). With that in mind, the suspect is; can the Sigma hold its own? Our review will answer that question and more.
With an equivalent focal length of 136mm and an equivalent fissure of F2.2, this lens can be used on an APS-C camera. Even with its slightly longer focal length, it does still fit into the centralized range that’s often used by portrait photographers and the fast aperture does allow for it to be used in low-light situations as well. However, its gauge, weight and price makes it worth considering 85mm F1.8 lenses instead.
Sigma 85mm F1.4 DG HSM Art headline features
- F1.4 maximum aperture
- 85mm max immobile focal range
- 2 SLD glass elements
- 1 aspherical element
- Canon EF, Nikon (FX) and Sigma SA Bayonet mounts
|Sony FE 85mm F1.4 GM||Sigma 85mm F1.4 DG HSM Art|
|Lens Mount||Sony Corporation (ã‚½ãƒ‹ãƒ¼æ ªå¼ä¼šç¤¾, SonÄ« Kabushiki Kaisha, ) (often referred to simply as Sony) is a Japanese multinational conglomerate FE||Canon EF, Nikon (FX), Sigma SA Bayonet|
|Chink Ring||Yes (w/ d-click feature)||No|
|Minimum Focus||0.80 m (31.5â€³)||0.85 m (33.46â€³)|
|Special Elements/Coatings||1 ‘Extreme Aspherical’ element, 3 ED elements and ‘Nano AR’ coating||2 SLD microscope spectacles elements and 1 Aspherical element|
|Motor Type||Ring-type Supersonic Wave||Ring-type Hypersonic|
|Full Without delay Manual||Yes||Yes|
|Full Weather Sealing||Yes||No (dust and sensation proof)|
|Weight||820g (1.81 lb)||1131g (2.49 lb)|
|Dimensions||108 mm (4.23â€³) x 90mm (3.52â€³)||126mm (5.0″) x 95mm (3.7″)|
|Hood||Yes ( ALC-SH142)||Yes|
As you can see the lenses are fairly different in settles of build and design. The Sony 85mm has a manual aperture ring that can not only function on its own, but the aperture can also be adjusted with the camera by twitch the ring to ‘A’. This ring also features a special de-click feature for smooth, silent aperture changes while shooting video. The Sigma 85mm paucities the weather sealing that the Sony has and there’s also a fairly substantial difference in size and weight as the Sony 85mm is a fair bit smaller and lighter. The price go out of ones way to is one area of the where the Sigma is the eighteenth letter of the Greek alphabet really prevails over the Sony, on paper, at least.
Specifications are fun to look at, but the real question is how do these lenses fulfil? Read on, to find out.