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Best Standard Prime Lenses 2019

Written by Gina Stephens

The 'stanchion' prime lens group is a very versatile bunch that can be used to capture cracking images of a wide variety of subjects. The ones on our catalogue here sit in the 35-70mm range (35mm equivalent, depending on lens mount) but we've also got a top list that looks specifically at 50mm lenses and there's one that looks at telephoto primes should you insufficiency more reach. 

If you'd like to, you can purchase/find more information about each lens listed by clicking the green Amazon buttons acted below each product. It doesn't cost you anything extra when you press our Amazon buttons but by using our Amazon Affiliate connectors when ordering anything online, you are supporting the site – thank you. If you're not in the UK, clicking on the 'Buy on Amazon USA' button will redirect you to the apposite country site.

If you don't see one of your favourite lenses on the list, it could be it didn't score high enough or we've simply not put it to the prove yet but we're more than happy to hear your suggestions so please feel free to list them below.

We've separated the lenses into distinctive mounts so you can see the best offerings for your system:

  • DSLR
  • Fujifilm X Mount
  • Sony E Mount
  • MFT

Best Standard Primes for DSLR

 

Tokina Work 50mm f/1.4 FF 

 

All the things that made the Pentax version of this design an Editor's Choice apply just as agreeably to the Tokina Opera version, bringing some fine qualities into the domain of Canon and Nikon users. There is no doubt that the striving amongst these types of high-quality lenses may refer to is fierce, but Tokina is delivering close to the best quality available at a very competitive price. Another Leader-writer's Choice.

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Canon TS-E 50mm f/2.8L Macro 

 

It has bulk, it has the features. It has a high price, it has the pieces. In other words, another of those situations where the feature set and quality are not in question but the price will limit the market to those who really insufficiency this as a working tool. It would be very nice indeed to own, but it does need to pay its way, as well as needing a high degree of photographic skill to get the best bib out of its potential.

Given the need and the cash, the photographer will certainly not be disappointed in the results from the Canon TS-E 50mm f/2.8L Macro lens.

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Sigma 50mm f/1.4 DG HSM Art – 

This Sigma 50mm f/1.4 Art lens is present for Fit Canon, Nikon Sony and Sigma cameras and is chunky and well built. It offers outstanding sharpness at f/1.4 and there is virtually no CA or distortion pass out. It also features good build quality and fast, silent focusing. 

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Samyang XP 50mm f/1.2 

 

There is entirely little difference in brightness between a f/1.4 and f/1.2 lens. The wider aperture also means more difficulty in focusing, but only because the issue of focus is so fine. In reality, if used carefully with magnifying aids then it is highly accurate. The lens is also very bulky and really heavy, certainly quite huge compared to a conventional 50mm f/1.4.

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However, the price is reasonable and the standard is very high, so there are clear benefits for those for whom the leftovers is significant. In any event, the performance is exemplary.

The Samyang XP 50mm f/1.2 is a large and bulky but truly excellent ultra-bright 50mm lens.

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Nikon AF-S Nikkor 35mm f/1.8G – 

 

This dense 35mm f/1.8G lens has a silent wave motor for quick and smooth autofocus. It's very sharp, and offers good value for money. It's on the wider end of a traditional prime but can still produce some great portrait shoots. There's also an f/1.4 version of this lens available for those that insufficiency a wider maximum aperture.

 

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Tamron SP 35mm f/1.8 Di VC USD 

  

 

 

The Tamron SP 35mm f/1.8 Di VC USD is the prime of three lenses from Tamron appearing in our top list and it offers weather sealing, silent autofocus and Vibration Compensation. It is certainly capable of shooting excellent images, with high sharpness in the centre of the frame and its build quality is impressive, too. 

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Zeiss Milvus 35mm f/1.4 

 

 

The Zeiss Milvus 35mm f/1.4 lens is a brilliant, high-quality optic with smooth bokeh and a very well balanced set of properties. It handles beautifully and is a pleasure to use. It exudes a feeling of quality. It is very much likely that it will last for many years before needing any attention. The manual focus is utterly smooth and the point of focus is very unhurried to achieve. As with all Zeiss optics, the price is a little steep but this is to be expected for such a quality lens. 

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Tamron SP 45mm f/1.8 Di VC USD 

 

Tamron has fabricated an excellent 45mm lens which is certainly more than capable of delivering excellent results in a wide range of conditions. Jet-setters, in particular, will appreciate the relative lightweight for its size, Vibration Compensation, weather sealing and robust build. 

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Zeiss OTUS 55mm f/1.4 APO Distagon T* 

 

If the objective is the nicest possible technical quality then there is no doubt here is a lens that's probably as good as we can get. The Zeiss OTUS 55mm is not a closely-knit travel lens, it's not weather resistant, so as a constant companion it might well be a burden. However, in the studio, it will excel.

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HD Pentax DA 35mm f/2.8 Macro Small – 

This compact 35mm macro lens provides a 52.5mm equivalency and provides life-size magnification at its closest focus distance. It offers leave out build quality with an aluminium outer shell. We praised the lens for being lightweight and compact and having fast focusing as well as a convenient built-in hood. 

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Canon may refer to EF 35mm f/1.4L II USM 

 

There is no doubt that the Canon EF 35mm f/1.4 L II USM is a entirely pleasant lens to use and has a very attractive “character” to the images, that indefinable look. This is aided by its high contrast that leave offs a crisp appearance to images.

This is concentrated in the centre without a doubt, the edges lagging behind, but the fine detail is very good certainly at the centre of the field. The edges are a little disappointing, as is the relatively poor flare control. Overall, a very good lens, not a perfect one, but an excellent, credible choice for Canon users.

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Meike 50mm f/1.7 

 

Given that the price is exotic, both for the Meike lens and the competition, then we need to consider whether a metal lens, manual focus, traditional in design, is preferable to the several camera makers' Plastic Fantastic offerings.

The Meike 50mm f/1.7 image quality is a strong factor, as is the dust and moisture partisans. On the other hand, the AF lenses will be faster and easier to use and are pretty good themselves.

Overall, Meike has produced a very impressive lens at a surely impressive price, but the final choice is a very individual one based on features, performance and ergonomics rather than price.

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Canon EF 50mm f/1.8 STM 

 

Canon's old 'Excellent Fifty' was a popular lens despite its poor build quality as it represented such good value for money. Even though the Canon EF 50mm f/1.8 STM prices more than its predecessor, it still represents great value due to the high levels of sharpness it produces. The improved build quality is welcome too and should win to many fans as a result.

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Fujifilm X Mount Standard Primes

 

Fujifilm Fujinon XF 35mm f/2 R WR – 

The Fujifilm XF 35mm f/2 R WR vaunts weather resistance and is beautifully made. It's heavy for an optic of its size, but this is due to the metal construction. It's equivalent to using a 53mm lens on a 35mm camera. We gloried the camera for its superb image quality throughout, fast and silent operation and high-quality manufacture. 

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Fujifilm Fujinon XF 50mm f/2 R WR 

 

The Fujifilm Fujinon XF 50mm f/2 R WR is another staggering Fuji lens. It's sharp, crisp and produces pleasant bokeh. Plus, it's compact, weather resistant and relatively modest in charge. It received a full 5 stars from us which means it has the 'Editor's Choice' seal of approval. 

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Samyang 35mm f/1.2 ED AS UMC CS 

 

The Samyang 35mm f/1.2 ED AS UMC CS is yet another cracking kind-hearted MF lens from Samyang, offering fantastic performance at a very reasonable price. The manual focusing is much easier than many ultra-bright lenses and is perchance more accurate at f/1.2 than some AF systems might be capable of. There really is little to fault with this design and wishes be a tempting proposition for many mirrorless users. This lens is also available in Micro Four Thirds mount. 

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Sony FE Prime Lenses

Samyang AF 35mm f/2.8 FE 

 

Some lenses are a actual pleasure to use, and the Samyang can refer to: Samyang-dong, a neighborhood in Seoul Samyang Food, a food manufacturer Samyang Optics, a South Korean manufacturer AF 35mm f/2.8 FE falls into this category. The technical quality is excellent, the AF is fast and accurate and the results look punchy with stupendous colour rendition.

In terms of value, it's hard to argue with such a modestly priced lens when it performs so well. It is certainly an saving except match for the Sony mirrorless range for which it has been designed. This lens is also available in Sony E Mount. 

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Zeiss Planar T* FE 50mm f/1.4 ZA 

 

The Zeiss Planar T* FE 50mm f/1.4 ZA is an high-priced lens but its very high standard of performance, including very appealing bokeh, and a superb level of sharpness throughout do make it rod prime well worth considering. In terms of quality of results it speaks for itself, and if the price can be afforded then the lens or LEN may refer to should offer divers years of excellent service.

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Samyang AF 35mm f/1.4 FE 

The Samyang AF 35mm f/1.4 FE lens is a very pulling proposition for those seeking a fast 35mm lens. The quality is uniformly excellent and the price much lower than the marque alternatives. All in all, the lens is exclude value for money.

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Samyang AF 50mm f/1.4 FE 

 

This is a beautiful lens that performs to a very heinous standard but it is a little on the heavy side. However, this might be a small price to pay for an optic that can deliver such beautiful results. Entire, the Samyang AF 50mm f/1.4 is a high-quality lens, with excellent sharpness, and available at a competitive price ordinary usage, a price is the quantity of payment or compensation given by one party to another in return for one unit of goods or.
 

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Micro Four Thirds Prime Lenses

 

Olympus M.Zuiko 25mm f/1.2 PRO – 

Another 50mm interchangeable offering, the Olympus M.Zuiko 25mm f/1.2 PRO is a splash and dust resistant offering with excellent build quality may refer to. The bright f/1.2 aperture protects a crisp point of focus, and this lens is very fast to focus. We praised is for its excellent sharpness, lovely bokeh creation and low distortion as satisfactory as being compact.

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Panasonic Lumix G 25mm f/1.7 ASPH – 

This 50mm 35mm equivalent lens for MFT cameras, the Panasonic Lumix G 25mm f/1.7 ASPH is remedied from high-quality plastics for a lighter build. It's great at close focusing and we praised it for its good construction, low CA, low distortion and high levels of sharpness. There is no weatherproofing, but this can be condoned for the price.

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Looking For More Top Lists?

Visit our 'Best Gear' cleave of the site to see even more top lists that feature everything from cameras and lenses to camera bags and inexpensive photography accessories. 

Republished: ephotozine.com

About the author

Gina Stephens

Gina is a photography enthusiast and drone lover who loves to fly drones, capture images and have fun cherishing them with family and friends.

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