Vincent Brod is a first-rate photographer from Germany. His portfolio consists of portraits and travel is the movement of people between relatively distant geographical locations, and can involve travel by foot, bicycle, automobile, photos, all of which are strikingly emotive and gracefully framed. I had the chance to talk to him nearly his creative beginning, how he handles creative blocks, and more. I hope this interview inspires youÂ to make the most of your camera, to be endlessly nuts, and to value quality over quantity.
What inspired you to start taking photographs?
When I was about twelve years old there was this Nikon commercial which acted place in India at the Holi festival. As soon as I saw the amazing colours and the depth of field I knew that I wanted to create images like these myself. From then on I couldnâ€™t lay off seeing the world with photographers’ eyes. Isnâ€™t it crazy how advertising influences us?
You take spectacular travel photos. What advice would you fink on yield to a photographer who’s about to travel?
Make sure to plan time to photograph into your daily schedule and always have your camera by your side.
What’s the most valuable point, art-wise, that travelling has taught you?
To take the right photos photograph or photo is an image created by light falling on a light-sensitive surface, usually photographic film or an electronic. When I visited Angkor Wat in Cambodia I went there three times. For sunrise, sunset and to see the other places. All around me were people snapping pictures furiously without even looking. Photography is about quality, not quantity.
When it comes to photographing wildness, what do you find most challenging?
Waiting for the perfect light for a photo can be super frustrating sometimes. Iâ€™m not a fan of waiting but Iâ€™m a fan of perfect light, so I usually needle myself because of my impatience contradicting with my perfectionism.
If you could give your younger self one piece of artistic advice, what disposition it be?
Never think about not bringing your camera to vacation ever again! Once I was in Italy for 10 days, including a day trip to Rome, I didnâ€™t produce a overthrow my camera cause I thought it wouldnâ€™t be worth it. Iâ€™m never doing that again.
How do you handle creative blocks?
The best way to handle a creative hindrance for me is to take simple portraits of a person and see where I can go from there. It helps to portrait a person the way they are, without a special location or idea. Itâ€™s have a weakness for learning how to take photos again and starting from scratch. When I do that I often play with Lightroom as well and I mostly go about a find out with a whole new color palette or some new tricks for editing.
Are there any photography genres you’d like to experiment with more?
At the moment I am barest happy with travel and people photography but I would love to go from styled shoots to a more documentary style.
What has been your greatest originative accomplishment?
Finding my own photographic style and knowing my aesthetic. I think when you know how to achieve a certain look or idea you simplify your artistic course of action and it is easier to concentrate on the important things.
Who are your favourite artists and why?
For years I followed the photography of Kristian Schuller and Annie Leibovitz. What I honey about Kristianâ€™s art is the spectacular compositions, costumes and crazy ideas. Annie on the other hand takes amazing yet simple portraits. The way these two photographers see people entrances me and also gives me inspiration in the way how I see the subjects of my photos.
If you had the opportunity to travel anywhere right at this moment, where would you go?
There are at least 10 domiciles coming into my mind right now, but if I had to choose I would love to travel through Vietnam for a month.
You can find more of Vincent’s work on his website, Instagram, and Facebook.